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Cultural repertoire
Cultural repertoire












cultural repertoire

My concern here is not the effects on individuals, states or localities, but on how we understand transnationalism. The vast literature on transnationalism focusing on individuals stressed the transformations of their identities in migration another string of research looked at transforming powers of nation-states, and yet another addressed the transformations of localities due to mobilities. I argue that understanding migrants’ ‘deep stories’ must have consequences for how we conceptualise transnationalism as the outcome of encounters in migration.

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Yet, I also argue that the ‘deep stories’ remain a stable point of reference for migrants in how they feel about what is fair and just and what is not, and how to behave accordingly. In section five, thus, I discuss examples of narratives of Poles living in England that I have collected over the past years to demonstrate how migrants negotiate the meaning of past and current events in their lives when confronted with new and unfamiliar cultural schemes, and how their attitudes might shift over the course of migration. As a scholar of migration, I am interested in what happens to such ‘deep stories’ when people migrate internationally and stay connected to their places of origin. I draw on the notion of ‘deep story’ proposed by the anthropologist Hochschild ( 2016) to address the entanglements of personal and collective national histories, and the feelings attached to them. Also, nationalism permeates into the structures of feeling (Bonikowski 2016). I show how nationalism shapes the schemes of remembering and forgetting, and the way they think of their present and imagine their future. I illustrate my argument with examples from my own research. 185) call to embed transnationalism in the contingencies of history. Thereby, I also follow Appadurai’s ( 1996, p. In this paper, I follow Waldinger’s line of argumentation up to a certain point and bring then nationalism into discussion to finally propose a definition of transnationalism which goes beyond connectivity. Out of the multiple lines of critique, I want to focus on just one, formulated prominently by Waldinger ( 2015): it is the reduction of transnationalism to connectivity. The usual ‘dos’ and ‘don’ts’ of transnationalism always include avoiding methodological nationalism. Wimmer and Glick Schiller 2002 Levitt and Jaworksy 2007 Amelina 2010 Boccagni 2012 Levitt and La Dehesa 2017). Obviously, the ‘transnationalists’ themselves also call regularly for a theoretical and methodological renewal of transnational studies (i.a. The focus on border-crossing activities has helped to illuminate those aspects of lives of migrants that remain hidden when migration is seen through the lens of conventional migration theory.Īs a distinctive perspective on migration, transnationalism is continuously criticized for lack of analytical stringency, theoretical imprecision, definitory confusion with other concepts, and insufficient involvement of general social theory, just to name a few of the most general allegations. A vast number of empirical studies have since then demonstrated the existence, in various forms and with great intensity, of such connections and their practical and theoretical significance (Portes et al. Migrants’ ties across the borders of nation-states, as many scholars have argued, are meaningful for their effects on the politics, economies and societies in both countries, and migrants themselves. While has long been known that international migrants maintain close ties to their nearest and dearest ‘left behind’ (Foner 2000 Thomas and Znaniecki 1984 ), only with the new transnational field of studies have these connections become the main focus of interest for numerous researchers. ( 1993), Portes ( 1995), Smith and Guarnizo ( 1998), and their colleagues.

cultural repertoire

The emergence of transnationalism in international migration studies goes back to the late 1980s and early 1990s and the seminal works of Massey (Durand and Massey 1992 Massey and España 1987 Massey et al.














Cultural repertoire